Thursday, August 17, 2017

Four Views of Guanajuanto

The top photo is looking up the track of the telepherique, which took us up to the top of one of the hills surrounding the city.  The town itself seemed so big to us when we first arrived.  The streets are narrow and winding, some of them steep.  And houses and restaurants march up the hillsides around the town.  After a couple of weeks of wandering around the town, we realize it is all quite compact. 

The second photo (by the way, all are by Nancy) is a panoramic of the town.  We walked down from the summit, which has a gigantic stone sculpture of Pipla, a local hero.  A fair number of the residences we passed on our way down have access only by stairways and paths.  Groceries come immediately to mind.  How they get to the individual houses is unknown.  They must patronize the small tiendas located all over, on a daily basis, on foot.  If they own cars, and that's a big if, they must be parked far from the front door.  But in centro, the taxis are numerous and cheap, and the busses haul loads of people all over the city.  The bus ride in Guanajuato is really cheap, five pesos, or 28 cents US.

The third picture illustrates the local restaurant trade, and since the weather here is called  "eternal springtime", many serve up food and drink outside.  The climate here in the state of Guanajuato is fantastic.  We are here in the rainy season, but it seems to fall mostly in the late afternoon when the heat builds up, or at night.  It's far enough south that it never gets too cold and high enough in elevation that it never gets too hot.  Lovely, and conducive to eating out in the street, many of which don't allow automobile traffic. But not very many restaurants serve food on a footbridge over the cobblestoned road.

Alhondiga de Granidatas

The Museo Regional de Alhondiga de Granidatas was not originally constructed to be a museum in late 1700s. The magnicient building started life as a grain storage facility, was the site of a siege during the war of independence from Spain, and spent a hundred years as a prison.Today the Alhondiga is a museum in tribute to the history Mexico, of Guanajuato and War of Independence. The Romualdo Garcia photos were the highlight for me, amongst all the pre-Columbian pottery and figurines, paintings of revolutionary leaders and artifacts of Spanish conquest, the photos had a simplicity and elegance.

Garcia was able to capture everyday subjects, in this case some Mexican children around 1900 and make a fine photograph. The Napoleonic chapeaus the boys are wearing have crossed forks and spoons instead of guns or swords.  Wonderful touch.

I'm guessing by the dark complexion of the lady and the extremely light complexions of the (probably Spanish) children, that the lady is the nanny, or a servant of some kind to the family and was more or less a prop to keep the youngster quiet and photographable.  She was no doubt an always to be nameless and indigenous photographic prop. In any case, she adds a lot to the photo.

All three of these photos of Garcia's work are by Nancy and I know it was difficult to make sure the management didn't catch her, and find the right angle to eliminate reflections on the glass covering the photos.  I would urge you to go to Google and see other examples of Garcia's photographs, not all of which are of children.  Some are vaqueros, businessmen, pretty ladies and photos of beautiful Guanajuato around the turn of the century.  Garcia was said to have never left the town of Guanajuato, and certainly none of the photos make that seen untrue.  He left behind a treasure trove which few have ever heard of and he deserves more recognition as one of the pioneer greats of his art form.

Thursday, August 10, 2017

St. Somebody's Day

We took the bus into town again and people who know these things said we should get off the bus "right here", in the middle on one of the tunnels.  Lo and behold, the stairway was right there, and following our leader we appeared into the sunlight right at the steps of the major cathedral in Guanajuato.  We looked around for awhile and at a side door were a few old caballeros working on a litter for the evenings' parade in honor of St. Somebody.  The numbers on the rails tell where each of the 36 hombres stand to shoulder the litter (which is burdened with a statue, flowers and candelabras) and haul it here and there along the parade route.

This gentleman answered our questions about what in the hell was going on and I felt obliged to tell him "Yo gusto sus espanol por que esta es despacio por nosotros gringos," which may or may not mean 'I like your Spanish because it is slow for us idiots'.  He took the time to tell us all about the festival, the components which came from Spain, and which were crafted here in Mexico, I think.  It was all very interesting, I think.  I missed most of it, but the gentleman was enjoying telling us all about it so we listened and picked up a little information.  But we missed what the occasion was in celebration of, and googling the date and place helps not at all.  St. Somebody's Day.

 We heard a commotion and looked down into the street.  There was another litter with a brass band and vaqueros mounted on their caballos.  Hombres played horns and ninos beat the drums and we took pictures.

The nice slow speaking gentleman had told us to stick around because at 6pm there would be a parade with the litter they were working on leading the way.  A parade like this one, which occurred about 11am, was a smaller parade with a smaller litter and statue than the one in the evening, but it was all the same to us.  Holy water was sprinkled, vaqueros rode their second best horses and the second best band played, or more accurately pounded on their drums and blew their horns.  This litter was carried by about a dozen hombres.  The litter which we saw earlier was probably twice or three times this size and, as I said, carried by 36.

Then we rode the funicular up to the statue of Pipila, who is a real historical figure in Mexico's history.  This was about the third or fourth statue of this Mexican Revolutionary hero we had seen in our journey.  It was of granite and the others in San Miguel and elsewhere were in bronze.  More impressive than the statue, which was impressive no doubt, was the view of the city.  This photo was the second (or middle) of three photos that I took to encompass the view.  The cathedral is the large yelllow building in the center of the photo.

Tuesday, August 8, 2017

The Macbre Museum of the Mummies, Guanajunto

 Guanajuato is famous for the Museo de Momia, where 111 specimens now reside.  Some like this former doctor, survived with most of his clothing intact.  But I imagine the bulk of the mummy's clothes fell off in tatters when unearthed.  Hair, beards, pubic hair, teeth, breasts, were all visible or easily imagined.
 These are Nancy's photos and you can see more pictures if you go to Instagram and access her account of the visit, Naahcee  is her handle.
 The mummies were dug up intentionally, as there was no one willing to pay for eternal internment.  Due to a cholera epidemic, space was needed in the local cemetery.  It was not intentional that these corpses were mummified, but conditions; weather, soil, humidity and other factors, were perfect.

  The bodies are displayed in cases, actually hermetically sealed, (I'm glad I finally got to use that word) and so there is no odor, but the lighting and postures of the mummies are certainly spooky.  Three of the corpses died in unusual circumstances; a drowning, a stabbing where the blood stains are still visible, and a premature burial which is the scariest of all.  I encourage you to learn more about these poor unfortunates on the internet.  The Museum has the world's youngest mummy, and the mummy of a fetus.

Sunday, August 6, 2017

A Bus Ride to Town

 We took a bus ride into Guanajuato this morning stepping onto the bus a hundred yards from the house.  The bus driver had failed to qualify for Le Mans but drove like a man still in the race.  The bus was mostly empty and so, rattled like a thousand tin cans along the cobblestone roads and the newer roads filled with topes (speed bumps are everywhere in Mexico, mostly where you don't expect them).  The driver lived by the rule "If you can't find 'em, grind 'em" (referring to the complicated gearbox).  I never imagined you could drive a beat up old bus that fast on congested, winding, tope ridden roads. 

When we got to Centro, there was this sign reminding me to get out my camera.

For a little while the three amigos were in every shot, mischievously standing in front of what I wanted to capture, so I took a portrait.

Some kind of min-drama was taking place in the plaza with a drum and piccolo, a costumed and masked maiden and pirate, un toro, un matador, and some kids.

 Near centro was this sign and I took a picture so I could translate it later.  It reads "Where any toad is king" and then the original spelling of the town.

 From many vantage points, the city looks like this.  Houses climbing the hillsides, most built during the silver boom.  The only way you can tell you're not in Spain is the American cars and trucks.

An older couple (about the same age as Nancy and I) waiting for the bus home.

The Pied Pipers of Antotonilco